Lucrezia Cippitelli
In 2022 he curated the exhibition Sammy Baloji. K(C)ongo Fragments of interlaced dialogues. SubversiveClassifications (The Uffizi Galleries, Florence); Georges Senga, Comment un petit chasseur païendevientprêtre catholique (Museum of Civilizations, Rome); and the 7th Lubumbashi Toxicity Biennial (Democratic Republic of Congo, 2022). He co-curated the 2nd Bucaramanga Biennial (Colombia 2015), the first Tbilisi Biennial Offside Effect (Tbilisi, Georgia, 2012) and the Biennale Arte NuevoInteractiva (Mérida, Mexico 2005 and 2007). He recently co-curated the monograph Sammy Baloji. K(C)ongoFragments of InterlacedDialogues. SubversiveClassifications (Giunti, Florence 2023) and the theoretical/artistic research volume Coloniality and Visual Cultures in Italy (Mimesis, Milan 2021). He edited the artist book Ex-Situ Compatible avecla vie by Luigi Coppola (KunstvereinPublushing, Milan 2023) and the monograph Tania Bruguera (Postmedia, Milan, 2007). She is the author of Eurocentrism (Bulzoni, Rome, 2013). She is professor of Aesthetics at the Brera Academy of Fine Arts, where she coordinates the department of Visual Cultures and Curatorial Studies and co-curator of Kunst Meran with Simone Frangi for the three-year period 2023-2026
